‘WE LIVE WITH THE OBJECTS WE CREATE, IT ALLOWS US TO TEST THEM’
A DELICATE FOLD IN CLAY
Gazar pieces are not decorative.
They are anchors.
For people who understand the value of silence,
the gravity of inner space.
I don’t believe in universal ideals. Taste is entirely subjective, which is exactly why it matters so deeply – it is the reason we make, we study, we practice. For me, it is the quiet lens through which I explore the world, and through which I shape what I create.
Refining my own taste is not a passive act; it is a discipline. Hours spent drawing, observing, tracing, learning about materials and forms are all part of the same process. Each line, each gesture, each repetition teaches me something new, not just about technique, but about what moves me, what holds my attention, and what I want to hold in the world.
Curiosity is a compass, discipline is the path. Together, they allow me to move beyond what is simply beautiful or admired, and into what is truly mine: a personal point of view shaped by intention, patience, and the ongoing act of constant learning.
One piece leaves, another begins.
The rhythm of hands and earth continues.
Gazar pieces are not decorative.
They are anchors.
For people who understand the value of silence,
the gravity of inner space.
Brun Foncé Series – I
Brun Foncé – Series I is a practice in slowness, weight, and quiet attention.
Each vase is shaped entirely by hand, slowly formed on the potter’s wheel using traditional techniques, then finished with a deep brown glaze applied by brush.
The surface carries subtle irregularities—traces of movement, pressure, and pause—allowing the process to remain visible. The dark, earthy tone creates a sense of warmth and containment, inviting contemplation rather than display.
This piece is not meant to stand out, but to settle in.
A vessel for everyday rituals, where touch, use, and time complete the form.
One piece leaves, another begins.
The rhythm of hands and earth continues.
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